The Honest Take

PEN America — the country's oldest and most prestigious free-expression organization — put out a report documenting how Jewish and Israeli writers are being frozen out of publishing. Within 24 hours, its own president had resigned over it. Not because the report went too far, but because it suggested, gently and with footnotes, that boycotting Jews might be a form of discrimination.

Author Meg Keene wrote the Wall Street Journal piece that took the whole thing apart — and she's the most-quoted voice in the report itself. For fifteen years she wasn't a political writer at all: she built one of the most-read wedding blogs in the country, A Practical Wedding, with two books that sold well over 150,000 copies passed hand-to-hand between brides who'd never met. She was, in her own words, "the dream author."

Then Charlottesville happened. Then Tree of Life. And after October 7, she sat down and wrote an achingly Jewish novel in seven days. The Big Five wouldn't touch it. One agent said the problem was a single word — Zionist. Another said the book could survive if she renamed a character from Yael to Sue. So Meg made a choice: if they weren't going to publish her anyway, she'd tell the truth out loud, and light her own fiction career on fire to do it.

In this conversation: the free-speech paradox at the heart of the PEN resignation; how the industry's blacklist works without anyone ever having to write it down; the St. Martin's Press boycott and the rise of influencer-driven publishing; and the moment Meg went hunting for a 2024 blacklist in the Jewish Telegraphic Agency archive — and pulled up three articles she couldn't tell apart from the present, all dated 1939, all about the blacklisting of Jewish authors in Germany.

Her argument isn't to shrink. It's to write more, document more, and build our own institutions the way we always have — because, as she puts it, "we are not a people for whom culture is the icing on the cake. It's the cake."

Meg Keene